"In Farben gezeichnet". Orchestration and Form in Early Nineteenth-Century Symphonies and Overtures between Germany and Italy
Dr. Federica Di Gasbarro
In the late 17th century art theorists were engaged in a lively dispute over the relationship between drawing and colour, some challenging the prevailing view that line, as the essential expression of an idea, was primarily responsible for the perception of form, while colour was merely an ornamental addition. The famous Querelle du coloris emerged much later in the field of music. In the mid-19th century, the opinion prevailed that ...
Dance/Music digital
Dr. Vera Grund (with Dr. Henner Drewes and Prof. Dr. Andreas Münzmay)
The aim of the project is to develop an editing method with which the information from diverse dance sources – iconographic documents, musical scores, drama and rhetoric schools, archive documents – can be digitally linked through a comprehensive multimodal structural model. With regard to dance, four-dimensional movement analyses (including spatial dimensions and temporal progression), visualizations and analyses of dance poses, ...
